King's Chapel

C.B. Fisk, Inc., Op. 44, 1964 

Stoplist


King’s Chapel opened in 1689 as the first Anglican church in Boston, Peter Harrison’s larger granite building replacing the original wooden structure by 1754.  The planned steeple remains a good intention.  Firmly loyalist at the American Revolution, defections steadily reduced attendance until March 10, 1776, when Rev. Henry Caner packed up the church silver and headed for Halifax.  James Freeman, lay reader at the re-opened church by 1782, embraced Unitarianism with a fervor that prompted the Episcopal bishop to refuse his ordination.  Undaunted, pew owners ordained Freeman themselves, establishing the first Unitarian church in America.  Prominent King’s Chapel musicians have included William Billings, William Selby, Virgil Thomson, and Daniel Pinkham.  A bell cast by Paul Revere still peals out on Sunday mornings. - Ross Wood


As the first three-manual tracker action organ built by an American firm in the twentieth century, Fisk, Opus 44 was a milestone instrument.

Although an otherwise new instrument, the organ has a number of stops that contain pipes from the previous instrument. Three mixtures and a Fifteenth, which were placed in the old organ by C. B. Fisk in 1960, were revoiced for the new organ. The Pedal Trombone combines old resonators with new shallots, tongues, and boots; the Pedal Open Bass, wood flutes, strings, and some other stops were also modified and revoiced for the new organ.

The case, a replica of the church’s 1756 organ, is placed well forward in the gallery with the Great and the Choir speaking toward the front. Located above and behind the Great, the Swell has separately controllable openings facing both forward and backward. The Pedal is within the main case beneath the Swell and speaks mainly to the back wall. Newly constructed of hard plaster, this wall functions as an efficient reflector and gives the sound projected rearward a quality distinguished from the forward projected sound.

Although the organ was a success, as the years went by Charles Fisk became increasingly dissatisfied with certain stops in the organ. The Choir Mixture was modified only a few years after the completion of the organ, and in 1979 a new mixture of larger scale was provided in place of the Swell Sharp. A year later the Trumpet 8' and Clarion 4' of the Great, which had been purchased from an Austrian firm and from the beginning had been judged too thin and unblending, were replaced by a larger scale French-style Trumpet and an 8' Cromorne, both made in the Fisk pipe shop. from the C. B. Fisk website

 Photo by Len Levasseur

Photo by Len Levasseur